May 3, 2025 at 7:30 pm
Programs and casting subject to change.
 

PROGRAM 

 

Cultural Hero Award presentation honoring Frank Chaves

The Cultural Hero Award was established in 2018 and celebrates voices that have had a significant impact on the City of Chicago through the art of dance education, production, or administration. The award is committed to archiving the legacies of individuals who embody SCDT’s core values of innovation, inclusion, empowerment, and collaboration. We are thrilled to present this year’s award to Frank Chaves.

Temporal Trance
(COMPANY PREMIERE)
Choreographer: Frank Chaves
Artists: Info forthcoming
Music: Peter Gabriel, Vangelis, and Gabrielle Roth and The Mirrors

Original Lighting Design: Shelley Strasser Holland

Lighting Design: Julie E. Ballard

Costume Designer: Jordan Ross

Stager: Jessica Wolfrum

Rehearsal Director: Jessica Miller Tomlinson

 

FOLK

(WORLD PREMIERE)
Choreographer: Kate Weare

Artists: Info forthcoming

Music: Info forthcoming

Lighting Design: Julie E. Ballard

Costume Designer: Trey Alexander

Rehearsal Director: Jessica Miller Tomlinson

 

Under the Skin
Choreographer: Tsai His Hung

Artists: Info forthcoming

Music: Yi Chun Hung

Lighting Design: Julie E. Ballard

Costume Designer: Trey Alexander

Rehearsal Director: Jessica Miller Tomlinson

 

IN/WITHIN

(WORLD PREMIERE)
Director/Choreographer: Kia S. Smith

Artists: SCDT Main Company, Associate Artists, and Emerging Artists

Music: Info forthcoming

Lighting Design: Julie E. Ballard

Costume Designer: Trey Alexander

Rehearsal Director: Jessica Miller Tomlinson
 

 

ARTISTIC TEAM

 

Kia S. Smith, Director of Vision and Strategy

Kia S. Smith is a Chicago native and she is the Founder, Resident Choreographer and Director of Vision and Strategy for South Chicago Dance Theatre. As a freelance choreographer, Kia’s recent and upcoming commissions include Scottish Ballet School at the Royal Conservatoire of Scotland (2024), Resilience Dance (2024), New Dance Partners (2024), James Madison University (2024), Columbia College Chicago (2024), Opera Laguna (2024), Houston Contemporary Dance Company (2023), Chicago Opera Theater (2023), Giordano Dance Chicago (2023) and others. Kia’s first evening length work Memoirs of Jazz in the Alley for South Chicago Dance Theatre premiered at the Auditorium Theatre of Chicago in 2023 and See Chicago Dance affirmed “Smith’s first evening length piece ‘Memoirs’ is a tour de force and a sensory immersion into this artists creative well springs”.  Kia is a member of the International Association of Blacks in Dance where she received the Joan Myers Brown Artist Development Fund scholarship in 2018. In 2021, she was a 3Arts Make A Wave awardee and an Ann & Weston Hicks Choreographic Fellow at the renowned Jacobs Pillow. In 2022, Kia received the prestigious Chicago Dancemakers Forum Lab Artist award. Kia was named a Rising Star in 2023 by Chicago Magazine, Player of the Moment in the category of Dance for New City Magazine's annual 50 Players List in 2023 and one of Dance Magazine’s 25 to Watch for 2024. WBEZ recently recognized Kia as a “breakout artist” for 2024!

 

Julie E. Ballard, USA 829, Production Manager + Lighting Designer
Julie E. Ballard is a professional lighting designer and theatrical technician. Ms. Ballard is an Assistant Professor of Theater Arts, specializing in lighting and sound, at Illinois Wesleyan University. She is affiliated with IATSE Local 2 and the Actors’ Equity Association and was previously the Stage Manager and Properties Master for Hubbard Street Dance Chicago. Additionally, Ms. Ballard is the owner/operator of OverlapLighting, a freelance production company specializing in production/ stage management, lighting design and photography, and is the Technical Director, Resident Lighting Designer and Stage Manager for The Seldoms. Ms. Ballard was the Lighting Director at the Dance Center of Columbia College for nearly 8 years. She has freelanced for two decades in and around the Midwest, touring regionally, nationally and internationally with Hubbard Street, Pilobolus, Deeply Rooted Dance Theater and David Dorfman Dance, among others. Ms. Ballard holds degrees in Theater (BA, 1999) and Lighting Design (MFA, 2004) from Kent State University and the University of Florida, respectively. Visit her portfolio at overlaplighting.com

 

Jessica Miller Tomlinson, Rehearsal Director

Jessica Miller Tomlinson’s Award Winning Choreography has been commissioned or produced by the Chautauqua Ballet Company, NC School of the Arts, Aerial Dance Chicago, Take Up Space Dance Fest, Unearth Virtual Arts Festival, Moonwater Dance Project, Alluvion Dance Chicago, Hot Crowd, The Universal Ballet Competition, Dancing To Dream Fundraiser, DanceWorks Chicago, Chicago Repertory Ballet, The Joyce Theater Foundation, The Inconvenience Performance Group, The Jacob’s Pillow Dance Festival, Idaho Dance Theatre, Regional Dance America, Columbia College of Chicago, Spring To Dance Festival St Louis, Washington and Lee University, The Edinburgh Fringe Festival , Forum Dance Theatre, Nomi Dance Company, Common Conservatory, Dance in the Parks, The Dance Gallery Festival, Visceral Dance Chicago, Nebraska Contemporary Dance Theatre, Eisenhower Dance Detroit, The Harvest Dance Festival, The HSDC Youth Ensemble, Northern Illinois University, SHIFT DANCE | FESTIVAL Albuquerque, Dance For Life, and Thodos Dance Chicago. She has collaborated with Dance For Life’s Our Voices Dance, Jacqueline Stewart/JAXON Movement Arts, Joshua Manculich, local Chicago band District 97, and the Andy Warhol Silver Clouds Exhibit at the MCA. Jessica was most recently a faculty member for the Hubbard Street Youth Dance Program, as well as The Joffrey Academy of Dance, where she taught Contemporary for the Joffrey Studio Company and Trainees. She was Adjunct Faculty at Northern Illinois University for two years. Jessica is currently in her fifth season as the Ballet Mistress for Cerqua Rivera Dance Theatre. In addition, Jessica is the Rehearsal Director, Company Liaison and Ballet Instructor for South Chicago Dance Theatre. She is also current- ly a faculty member for Alma Dance School, Pure Vibe Dance Center, and The Rooted Space.

 

Kelly Anderson
Kelly Anderson, originally from Milwaukee, Wisconsin, is a graduate of Western Michigan University with a Bachelor of Fine Arts in Dance. She now resides in Chicago, Illinois as a Main Company Member of South Chicago Dance Theatre. This is Kelly’s third season with SCDT in which she also serves as Rehearsal Assistant. During her time with SCDT, she has had the privilege of working with choreographers such as Wade Schaaf, Stephanie Martinez, Ron de Jesus, and Kia S. Smith. In addition to her own dancing, Kelly finds joy in teaching and choreographing at local competitive dance studios and is privileged to share her love for dance with her students, company, and community.

Trey Alexander, Resident Costume Designer

Trey Alexander (they/them), from St. Louis, MO, began their dance training at the Center of Creative Arts (COCA) under the direction of Kirven and Antonio Douthit-Boyd. Trey received a BFA in Dance Performance and Choreography from the UMKC Conservatory of Dance in 2019. While studying at the conservatory, they were mentored by Deeanna Hiett, Gary Abbott, and Paula Weber. They have performed works by choreographers George Balanchine, Frank Chavez, Gregory Dawson, Kevin Iega Jeff, Christopher Wheeldon and more. Trey has danced professionally with Wylliams-Henry Contemporary Dance Company, Cerqua Rivera Dance Theatre, Deeply Rooted Dance Theater, and DanceWorks Chicago. Trey has performed works by Chicago-based choreographers Katlin Bourgeois, Shannon Alvis, and Stephanie Martinez. Trey is currently dancing with South Chicago Dance Theatre under the direction of Kia S. Smith.

 

CHOREOGRAPHERS

 

Frank Chaves

After 23 years as Artistic Director and Resident Choreographer of River North Dance Chicago, Frank officially retired in December 2015. Having produced more than 20 original works for the company, he now looks forward to concentrating solely on his choreography, creating new works and finding new homes for his existing body of work. As a performer, he has danced with Ballet Concerto of Miami, New York's Ballet Hispanico, Giordano Dance Chicago, and for six years with Hubbard Street Dance Chicago In 2000, he received a Ruth Page Dance Achievement Award for Mission, co-created with Sherry Zunker, Co-Artistic Director Emerita of River North, in honor of the Company's 10th anniversary. He was also recognized with a 2008 Choo-San Goh Award for Choreography from the Choo-San Goh & H. Robert Magee Foundation for Tuscan Rift and  had the great honor and privilege of being named “Chicagoan of Year in Dance” by The Chicago Tribune in 2014.

 

For more than 10 years, Frank has been dealing with a degenerative spinal cord disease, Syringomyelia, which has no known cause and no known cure. “It's been quite the journey — of all things, a dancer and choreographer losing his physicality, accompanied by a multitude of symptoms that manifest into chronic pain, make it much more than losing the use of my legs. However, the one thing this disease cannot take away is my imagination. So long as I have that and there is music and motivated dancers, I have and will continue to create.” -Frank Chaves

 

Tsai Hsi Hung
Tsai Hsi Hung graduated from the Taipei National University of the Arts in 2011. In 2009, she traveled to Australia as an exchange student for the Dance at Queensland Technology University Dance De- partment. She has worked with the Australian Dance Theater, Tasdance, Expressions Dance Company, and Chunky Move Dance Company Dancers. In 2020, Hung received a Choreography Fellowship from the New Jersey Council on the Arts. Shortly after, Hung’s work was selected by the Joffrey Academy of Dance for its Spring 2020 Winning Works performance in Chicago. Hung was invited to Taipei National Dance Theater to perform the work in July 2020. In 2021, Hung won Western Michigan Uni- versity’s National Choreography Competition and will premiere a new work in 2022. For BalletX’s 2022 Season, Hung created a new work for their dancers through the BalletX Choreographer Fellowship. Battery Dance Company of New York also premiered an original work in the summer of 2022, inspired by the paintings of Hans Hofmann. Hung was in residence at Kennesaw State University, Georgia, in the summer of 2022 to create new work for the students of their dance department. Hung premiered a new work in the Spring of 2022 with the Ballet Hispánico Professional Studies dance students. Hung was recently commissioned by the South Chicago Dance Theatre to create a new work for their 2024 season. She will also continue to work with the Taipei National University of the Arts in 2023/2024, teaching and creating new work for their department. In June of 2018, the MET Dance Company performed Hung’s work IO for 12 dancers at the Miller Outdoor Theater in Houston, Texas. In 2019, Hung’s piece DOUBLEND was performed at the NU VU Festival at the LaGuardia Performing Arts Cen- ter, Martha Graham Studio Theater, and NYU Skirball Center. Her most recent work, Brushstroke-X2, was performed at the 2020 APAP Peridance Showcase in New York. Hung teaches open class at the Peridance Capezio Dance Center, NYU Tisch Dance, and MOVE|NYC|.

 

Kate Weare

Kate Weare Company charts a contemporary view of humanism by placing women at the center of the human story amidst the violence, sensuality and yearning for intimacy that mark our age. Weare’s work explores the undercurrents in relationships - both tender and stark - by drawing on our most basic urges to move and decode movement. Weare creates a communion between director and performer in order to mine the body’s instinct for truth-telling: our need for safety, our intelligence about who we are as individuals, our longing to connect, our desire to be seen. Since 2005, Kate Weare Company has toured extensively throughout the United States to a wide range of audiences, gathering experiences and insights to help shape our process and priorities. Our mission includes creating live dance and dance film from a feeling of authenticity; a desire to explore across borders and mediums; a commitment to collaborating as a means to grow; a belief that dance can be aesthetically uncompromising, communicative and inclusive all at once. Form is meaning, but emotional content is how we connect it all.

 

Artistic Director Kate Weare is recognized as a preeminent American choreographer known for her startling combination of formal choreographic value and visceral, emotional interpretation. She founded Kate Weare Company in New York City in 2005 as a vehicle for her choreographic research, while creating commissions for other companies such as The Jose Limon Dance Company, The Juilliard School, Cincinnati Ballet, Scottish Dance Theatre, Union Tanguera (France), Ririe-Woodbury Dance Theater, GroundWorks Dance Theater and ODC/Dance, among many others. Weare’s awards include The Guggenheim Foundation Fellowship Award, Inaugural BAM Fisher Artist-in-Residency & Commission Award, The Joyce Theater Creative Residency Award (2016, 2014, 2011), The Aninstantia Foundation Fellowship, The Princess Grace Choreography Fellowship, NC Arts Council Fellowship, White Bird’s Barney Choreographic Prize, CalArts Inaugural Evelyn Sharp Summer Residency Award, The MANCC Fellowship Award, The Jacob’s Pillow Residency Award and The Djerassi Fellowship. Teaching includes: Princeton University, The Juilliard School, NYU/Tisch School of the Arts, Marymount Manhattan, CalArts, Virginia Commonwealth Univ., among others. Raised by a painter and a printmaker in Oakland, CA, Weare draws on visual art sources in her work along with language, poetry, contemporary music, psychology, and above all, nature. Weare earned a BFA from CalArts and subsequently danced in Los Angeles, San Francisco, London, Belgrade and Montreal before settling in New York City in 1998. Based now between New York and Asheville, NC, Weare has been exploring dance on film with filmmaker Jack Flame Sorokin. In 2021 Weare and Sorokin completed their first two films, “Landfall,” and “Moth,” and are in production with several more.

 

Kia S. Smith (see above)

 

ARTISTS

 

Trey Alexander (see above)

 

Kelly Anderson (see above)

 

Mya Bryant

Originally from Fort Worth Texas, Mya Bryant is an artist who values inclusivity and community. Bryant attended Margo Dean School of Ballet led by Margo and Webster Dean where she had the privilege of being a company member in Ballet Concerto, their summer company. In May of 2022, Bryant graduated from Sam Houston State University with her B.F.A in dance and minor in kinesiology.

 

Chloe Chandler

Chloe Chandler, from Southeast Michigan, is a performer, creator, and dance educator. She received her BFA in Dance from the University of Michigan. She has had the privilege to work with artists such as Sidra Bell and Shannon Gillen, and assist artists such as Elizabeth Parkinson, Suzi Taylor, Will Johnston, John Crutchman, and more.

 

Valerie Chen

Valerie Chen is a Taiwanese American artist whose love for dance and movement creation began in Irvine, California. In high school she attended the Orange County School for the Arts in the Commercial Dance Conservatory, developing herself as a multifaceted dancer in both the commercial and classical spheres. Valerie simultaneously trained at Dmitri Kulev Classical Ballet Academy and Jessie Riley’s Westside Dance Project. Continuing her dance education, Valerie received a BFA in Dance at the USC Glorya Kaufman School of Dance. While at Kaufman she witnessed new movement styles, a culture of care, and ingenious innovation which nourished her passion for performance and experimentation. She has performed works by Kyle Abraham, Hope Boykin, Jiří Kylián, Micaela Taylor, Justin Peck, Christopher Wheeldon, and Paul Taylor, among others. Valerie aspires to bring dance to new spaces, break boundaries of expectation, and share movement histories with each community she meets.

 

Keeley Clark

Keeley Clark started dancing at the age of two in Jefferson City, Missouri where she grew up doing various styles but with a main focus in ballet, contemporary, and jazz. She trained at a small studio named Dancers’ Alley under the direction of Katy Howland, there she got to perform in The Nutcracker as the Sugar Plum Fairy. After graduating highschool in 2022, they moved to Chicago to train at the Ruth Page Civic Training Program. There she worked with many different teachers and choreographers such as Victor Alexander, Dolores Long, and Adrian Marcelo Sáenz and got to perform at many different events such as Center Stage and Ravinia. Keeley is very excited to be in her second season with South Chicago Dance Theatre.

 

Lauren Crowell

Lauryn Crowell, originally from Birmingham, Alabama is an explorative driven artist. She started at Robinson’s School of Dance, whilst exploring visual and performing arts at Dunbar Magnet School of The Creative and Performing Arts. In high school, she continued training at Alabama School of Fine Arts. Lauryn graduated from George Mason University receiving a BFA in Dance and an Excellence in Choreography Academic Award. She has performed and been a part of works by Doug Varone, Jennifer Archibald, Robert Battle, Rafael Bonachela, Shaun Boyle-Darcy, Mark Morris, was Susan Shields choreographer’s assistant, and more. Lauryn aspires to cultivate her craft by expanding beyond limitations, immersing with communities of all diversity, and redefining purpose through movement exploration.

 

Kelsi L Fears

Kelsi L. Fears is a native of Atlanta, Georgia and a graduate of the Point Park University Conservatory of the Performing Arts receiving a BFA in Dance. While at Point Park University Kelsi performed works by Martha Graham, Candance Brown, LaTasha Barnes, Crystal Frazier, Kiesha Lalama and more. Kelsi is a 2023 participant of the Camille A. Brown Mentorship Program and a 2023 Tomayko Foundation Award recipient. Kelsi has spent summer’s training at the Sidra Bell Summer Module, Deeply Rooted Dance Theater, ChuThis Movement Intensive and the Gibney Summer Study Program.

 

Jack Halbert

Jack began his dance training at the age of five in his hometown of St. Louis, MO at a small dance studio called Charmette Academy of Dance. Over the years, he trained extensively in Ballet, Jazz, Tap, and Modern. In 2013, he accepted a scholarship to continue his training with the University of Arizona School of Dance. He was privileged to perform incredible works by amazing professors and master artists, including José Limón and Sherry Zunker, as well as have the opportunity to tour in New York City and Europe. In May 2017 he graduated summa cum laude with a BFA in dance and a Minor in Sports Management, in addition to numerous awards and accolades. He feels incredibly lucky and humbled to have continued his training with the eclectic company Giordano Dance Chicago for four seasons, and to have performed with contemporary and street style fusion dance company, Chicago Dance Crash, for two years. In addition to dancing, he instructs group fitness classes at Equinox gyms, guests with AJA Talent Agency, and continues to build his career as an educator and choreographer at several local Chicago studios.

 

Reid Kostroun

At age four, Reid Kostroun began studying multiple languages of dance at Kathy Marfin’s Dance School, with a heavy emphasis on choreography exploration and personal creation in his teenage years. Soon after joining his studio’s competitive dance company, Reid joined Celebrity, HEAT, and Elevation On Tour’s assisting programs. Traveling the nation with these convention companies, Reid worked closely with the genius of Jackie Nowicki, Cat Cogliandro, Sophia Lucia, Ivan Maric, Angelica Stiskin and many more. In hot pursuit of a professional dance career in concert dance and choreography, Reid moved to Chicago, Illinois after graduating high school in his hometown, San Antonio, Texas, to join Visceral Dance’s trainee program. While in the program, Reid familiarized himself with Chicago’s expansive dance scene performing works from Nick Pupillo, Monica Cervantes, Braeden Barnes, Keli Gunn, and Tina Diaz. He actively teaches at local studios and schools, along with pop-up classes and can’t wait to see what SCDT Season 8 holds for him.

 

Mary Kovalcheck
Mary Kovalcheck grew up in Grayslake, IL and started training at Dance Connection, her local dance studio. She also took classes at the Lou Conte Dance Studio during high school. She recently graduated from Grand Valley State University in Michigan, where she received her Bachelor of Arts degree in Dance and a Business minor. During her time in the dance program, she had the opportunity to work with several artists such as Queala Clancy, Yoshito Sakuraba, Wallie Wolfgruber, Deborah Lohse, and Renaldo Maurice. Mary has performed at the American College Dance Association (ACDA) regional conferences in 2022 and 2023. Her senior capstone solo “Forward” was selected to be in the Spring Dance Concert. Mary is also a recipient of the Upper Division Dance Scholarship and the Alexander Calder Honors Scholarship. Mary is excited to be a part of the South Chicago Dance Theatre for their 2024/2025 season.

 

Maddie LaNasky

Maddie LaNasky (she/her), originally from Fredericksburg, Virginia, is a 2020 graduate of James Madison University (JMU) with a double major in Dance and Media Arts and Design. Her work was featured in three student concerts, selected for a mainstage concert, and presented at the American College Dance Association. In addition, she was a member of the JMU’s pre-professional company. While at school, Maddie had the pleasure of working with Abraham.In.Motion, DanceWorks Chicago, Rubén Graciani, and Matt Pardo. After moving to Chicago, Maddie trained at COMMON Conservatory under the direction of Terence Marling. Most recently, she has presented work at the Going Dutch Festival and Emergence Festival.

 

Hayley Midea

Hayley Midea is a dancer, choreographer, and teacher. In Spring of 2020, Hayley received a BFA in Dance from Western Michigan University. Hayley’s choreography has been awarded the Maggie Allesee Choreography Award by the Michigan Dance Council, “Best Spoken Word Used in a Film” and “2021 Viewer’s Choice Award” at the inaugural Dance Is Activism Film Festival. Among other festivals, Hayley was selected to perform at the ACDA National Conference in Long Beach, California. Hayley has had the privilege of performing in the Dance for Life finale choreographed by Randy Duncan as well as traveling to Amsterdam, Netherlands with SCDT. This is Hayley’s fourth season with SCDT where she has performed works by Wade Schaaf, Ron De Jesus, Crystal Michelle Perkins, Monique Haley, Stephanie Martinez and Kia S. Smith. Along with performing, Hayley teaches and choreographs at competitive dance studios in the Chicagoland area.

 

Ben Moleta

Originally from Statesville North Carolina, Ben Moleta began his dance training at The Academy of Dance and Fine Arts when he was 14 years old. He was then accepted as a contemporary dance major at the Boston Conservatory at Berklee under the direction of Tommy Neblett. He continued to train there for two years, and for this past year has lived in New York City as a member of the GibneyPRO cohort, a certificate program under the direction of Alexandra Wells. Here Ben had the opportunity to work in process with ground-breaking choreographers such as; Peter Chu, Sidra Bell, Lea Ved, and Laja Field. Continuing on, Ben is excited for his first season with SCDT and looks forward to this new journey in Chicago.

 

Elijah Richardson

Elijah Richardson (San Jose, California) is a Filipino-American dancer based in Chicago. His early training consisted of musical theatre, classical choir, and figure skating before earning his BFA in Dance Performance from Chapman University in 2018. After graduating, Elijah joined DanceWorks Chicago for three seasons and has appeared as a guest artist with Collage Dance Collective, Giordano Dance Chicago, Zion Dance Project, and The Cambrians. His repertory include works by Ohad Naharin, George Balanchine, Alex Ketley, Stephanie Martinez, Kia Smith, Ron De Jesus, Crystal Michelle Perkins, Hanna Brictson, Ido Tadmor, and Joshua Manculich. His own creations have been presented at South Chicago Dance Festival, Loyola University Chicago, Zion Dance Project, Evanston Dance Ensemble, Second City Dance Ministry, Trifecta Dance Festival, Iowa International Screendance Festival, and four times at Mobile Dance Film Festival. As an educator, he has shared classes at the University of Chicago, Western Michigan University, Northern Illinois University, University of Michigan, and Common Conservatory. Recently named Dance Magazine’s 2023 “25 to Watch”, Elijah is currently in his third season with South Chicago Dance Theatre.

 

Marissa Thomas

Marissa Thomas (she/her) is originally from Las Vegas, Nevada, and received her Bachelor of Fine Arts in Dance at The Ohio State University in 2019. Marissa is currently in her second season with South Chicago Dance Theatre. She has previously danced as a Company Dancer with the Dancing Wheels Company in Cleveland, OH. Marissa has had the honor of performing and collaborating in works by choreographers Donald Byrd, Dianne McIntyre, Crystal Michelle Perkins, and André M. Zachery and performing in historic works by Merce Cunningham and Donald McKayle. Marissa is also a Teaching Artist for SCDT’s Education Programs and is the Tour Manager for the Dancing Wheels Company & School.

 

Faith von Atzigen

Faith von Atzigen is from Riverside, California where she began training at a competitive dance studio at the age of fourteen. While in high school, she had the opportunity to work with multiple commercial choreographers in the L.A. area such as Tina Landon, Michael Peña, and Jason Myhre. She went on to graduate from Oral Roberts University in 2020 with a B.A. in Dance Performance and was named the Outstanding Senior for the Theatre, Dance, and Visual Arts Department. Since graduating she has been working as a freelance dancer and has attended intensives with Doug Varone and Dancers, Parsons Dance, and Ad Deum Dance Company. This summer she was accepted as a professional artist to attend Zion Dance Project’s Summer Series where she was featured in multiple works by Vincent Hardy. She was also chosen to attend the 2023 OBOC Countertechnique intensive in Amsterdam where she worked with Anouk van Dijk, Tom Koch, and Elita Cannata. Since moving to Chicago, Faith has had the opportunity to work with Chicago-based artists Terrence Marling, Noelle Kayser, and Jackie Nowicki. Also passionately pursuing a career as a choreographer, she recently received the full DCASE Individual Artist Program grant to create and produce a dance work. Faith is overjoyed to return to South Chicago Dance Theatre for their eight season.

 

Brodie Wolf

Brodie Wolf is originally from the San Francisco Bay Area, where his training exposed him to an array of artists and dance styles, and sparked his interest in choreography, performance, and dance education. Brodie’s affinity for movement investigation led him to pursue a BFA in Dance at the USC Glorya Kaufman School of Dance in a range of techniques including hip-hop, ballet, and contemporary. He has performed works by Ohad Naharin, Jiří Kylián, Yue Yin, and Kyle Abraham, among others. Brodie attended the School at Jacob’s Pillow Contemporary Performance Ensemble where he collaborated on three new creations with Sidra Bell, Rena Butler, and Antoine Vereecken from Studio Wayne McGregor. Brodie pursued a double minor in Cinematic Arts and Entertainment Industry allowing him to work with production company RYBG.co and earn producing credit on IMDb from his work on Soundstage. He has been involved with Kaufman Connections, a community engagement initiative that provides dance classes to students at 32nd Street Elementary School in Los Angeles. Brodie curated a local event in Los Angeles titled “Where We Meet” to explore the relationships of dance, film, and music through a community-oriented environment.

 

ABOUT SOUTH CHICAGO DANCE THEATRE

 

South Chicago Dance Theatre (SCDT) is a multicultural organization seamlessly fusing classical and contemporary dance styles as well as preserving historic dance work. With cultural diplomacy at the heart of the organization, SCDT creates, performs, and teaches dance on a local, national, and international platform. Since the 2017 launch, SCDT’s collaborative initiatives have included music ensembles, television, opera, art museums and public schools through a range of collaborations and performances. Prioritizing intergenerational learning and exchange, SCDT’s seven core programs include the Main Company, Associate Artist and Emerging Artist Programs, the Choreographic DiplomacyTM initiative, the Education and Community Programs and the annual South Chicago Dance Festival. SCDT has performed internationally in Seoul, Korea, Ho Chi Minh City, Vietnam, Bogata, Columbia, and Arnhem, Netherlands. Season 8 performances have also included Jacob’s Pillow, Navy Pier Chicago LIVE!, Opera Laguna in Laguna Beach California, Dayton Contemporary Dance’s Season Concert, and Red Rock Dance Festival.